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Jazz
Saxophone Licks, Phrases & Patterns
Arnie Berle
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Written by one of today's great jazz educators, this is a system for building
truly great sounding jazz lines.The relationship of the individual lines to
chords and progressions is analyzed. In addition, original saxophone studies
integrate these concepts with technical proficiency.
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TABLE OF CONTENTSS
Licks, Phrases and Patterns How to Use This Book Scale
Practice Routine Major Chords--Major Triads Licks Based on Major Triads
Major 6 Chords Licks Based on the Major 6 Chords Major 7 Chords Licks
Based on Major 7 Chords Major 9th Chords Major 9th Licks The C Major 11
and C Major 13 Chords Major Type Licks More About Major Type Chords
Adding Chromatic Notes Dominant 7th Scale--Mixolydian Mode Dominant Type
Chords Dominant Type Licks Dominant Type Licks (with Chromatic Notes)
More About Dominant Type Chords Major 7th Scale--Dorian Mode Minor 7th
Type Chords Minor Type Licks Minor Type Licks (with Added Chromatic Notes)
More About Minor Chords Progressions Forming the Progressions The II-V
Progression The II-V-I Progression The I-VI-II-V Progression (Between
Changes) The Diminshed 7th Chord Diminished 7th Chord Patterns The
Diminished Scale Diminished 7th Chords in Progressions I-I�7-II-V
I-#I�-II-V Diminished Licks and Dominant Type Chord Diminished Scale as
Improvising (Scale for II-V Progression) More on the Diminished Scale
Rhythm Changes The Standard Song Form The Blues Progression Blues
Notes-Blues Scale Blues Licks Analyzing Licks Conclusions Patterns
for Improvising Technique Making Up Your Own Licks Improvising on Altered
Chords:
Major 7#ll--Major 7b5
Major 7#5 Dominant 7b5 or #11 Dominant
7#5 Dominant 7b9 Dominant 7#5b9 Dominant 7#5b9#9
Dominant 7#5b5#9b9 Appendix (How to Transpose) Keyboard
Accompaniment (for Non-Keyboardists) II-V Progression II-V-I Progression
I-VI-II-V Progression I-I�7-II-V Progression I-#I�7-II-V Progression
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